The ancient land of Egypt, with its sophisticated civilization and complex religious system, saw the dawning of Christianity in 55 A.D. According to Egyptian tradition, St. Mark the Evangelist brought the Good News to the Jewish communities extant in Alexandria and Old Cairo, then known as Babylon or Fortress Babylon. But it was not destined to remain within the Jewish Quarters. The once immense power of Egypt's vast pantheon and priesthood had gradually degenerated into esotericism and black magic, leading the people into spiritual darkness. The picturesque parade of foreign rulers and influences which marched through conservative Egypt took the people through cultural entropy1 and culminated in the final blow of Roman oppression. Into this milieu stepped the Gospeler Mark, probably with the Apostle Peter2 as well as Apollos and Barnabus. When they presented the Light of the Gospel of Christ, its power and purity penetrated the great darkness of Egypt, and it changed the confusion of the Curse into the hope of Eternal Life. That belief in eternal life had been a basic foundation of Egyptian everyday life...for three millennia! It took, then, barely a century for Egyptian Christianity to spread the length of the fertile Nile Valley. Those who possessed the lineage of the Ancient Egyptians, with their "racial memory", their roots in the land, their deepest values and their genetic heritage, became known as the Copts. The word actually means Egyptian3&4. In keeping with the continuous strain of Egyptian conservatism the Coptic Christians do not generally intermarry with outsiders. Therefore they are the closest relatives of the inhabitants of Dynastic and Pre-dynastic Egypt. A major portion of what constitutes the field of Egyptology has come down to us through the work of the artists and architects of Ancient Egypt. Thus it seems appropriate to delicately sample the creativity of the Copts as found in objects ranging from fine wool textiles with dancing mythological figures to the sublimely devotional detailing of the sacred high altar (Haikal) screens. Nor can the austere beauty of a ruined monastery or an isolated Coptic community be overlooked. Indeed from looking deeply comes perception, and with perception comes understanding. Thereby we present to you the debut of the digital version of The Egypt of the Copts, an audio-visual experience in cultural awareness.
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